dataART
is a generative series where real-time data shapes living, evolving artworks—transforming particle behavior, color, and movement. Unpredictable by design, each piece is a singular, unrepeatable event that fuses technology, time, and aesthetic into a dynamic visual experience.
Just as monarchs once commissioned portraits to immortalize power, today’s visionaries invest in immersive, data-driven, AI-enhanced works that reflect the spirit of our era. With the arrival of Latin American artist-technologist Beto Resano, SunRa.Creative now creates tailor-made, exclusive art pieces for collectors, institutions, and future-forward companies.
These are the new classics
—crafted with data, light, sound, and imagination.
dataMONEY
This piece leverages real-time fluctuations in major currencies such as Bitcoin, Ethereum, and the US Dollar. Changes in market value directly affect the speed, movement, and color of the visual elements, creating a living portrait of global financial volatility. More than a representation, the artwork is shaped by economic data—transforming raw market information into a dynamic, evolving visual experience.
This means owning a work that is not only aesthetically compelling but also perpetually alive—an exclusive intersection between digital art and economic intelligence. It is a unique asset that mirrors the pulse of the global market in real time, embodying both artistic innovation and financial relevance.
EXIBITIONS: Malba Museum
gnrtvFLOWERS
Is an experimental series of generative artworks that explore the interplay between nature and the digital realm. Through a process driven by data and floral imagery, natural forms are transformed into generative entities—disintegrating into particles that emerge, shift, and evolve in real time.
Using motion tracking and digital visualization, each flower dissolves into point clouds and fluid shapes, creating an ongoing stream of transformation. The goal is not to replicate nature, but to reinterpret it—unveiling its hidden structures and fleeting beauty.
What emerges is a poetic fusion of the organic and the digital: a continuous, ephemeral cycle of creation and dissolution.
EXIBITIONS: IBM Tower, C.E.C.
dataCLOUD
Is a generative artwork powered by real-time weather data from some of the world’s most iconic cities. Temperature, wind speed, and rainfall directly influence the movement of particles, generating a dynamic, ever-shifting visual landscape of the global climate. As weather conditions evolve, so does the piece: wind alters direction, rain adjusts intensity, and the climate itself becomes both the subject and the sculptor of a constantly transforming work of art.
EXIBITIONS: IBM Tower, C.E.C., Malba Museum
blackCODE
This artwork visualizes a mathematical representation of how a black hole distorts space-time. At the center of the grid, the black hole pulls particles inward, and as they approach, their paths warp—illustrating the gravitational lensing effect. This visual phenomenon demonstrates how the extreme gravity of a black hole bends light and alters the motion of nearby objects, offering a glimpse into the curvature of space-time as it spirals toward the event horizon.
To simulate the black hole’s behavior at scale, real data and scientific formulas were used to create a simplified gravitational field. Gravity is calculated using an equation inspired by Newton’s law (gravitationalPull / (distToBlackHole²)), causing particles to be drawn in with increasing intensity as they get closer.
This piece is designed as a living system—capable of lasting minutes, weeks, or even years in a continuous loop—adapting to the context of the exhibition and transforming perception through deep time.
EXIBITIONS: IBM Tower, C.E.C.
gnrtvHALLUCINATIONS
Is a living artwork that explores microscopic and quantum realms through data, imagery, and AI. Particles emerge from abstraction and evolve in real time, forming intricate, ever-changing patterns that challenge our perception of reality. These virtual worlds are not static—they are fleeting, dynamic entities born from the chaos of information.
Blurring the lines between the tangible and intangible, the finite and the infinite, the piece invites viewers into an abstract cosmos where data becomes vision, and reality unfolds only for an instant.
EXIBITIONS: IBM Tower, C.E.C.
0|1
Is a conceptual exploration of how personal, urban, and behavioral data can be reinterpreted through an artistic, choreographic, and technological lens. Using the same tracking technologies found in supermarkets or urban surveillance systems, the work challenges the limits of what can be recognized, traced, and transformed through code.
In these pieces, viewers witness fragments of cities being scanned in real time by software, guided by the artist’s algorithms. In one installation, 0/1 becomes a mathematical representation of a city—capturing and abstracting its environment into a three-dimensional, real-time visual landscape using camera-based input.
The sensation of being watched is turned into an immersive artistic experience, where live data becomes a non-repeatable, constantly evolving artwork. The same tracking systems are also deployed in new interactive pieces—where audience movements, 3D scanning, or object recognition become part of a live performance, integrating spectators into the ever-shifting choreography of the piece.
EXIBITIONS: IBM Tower, C.E.C., Malba Museum